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Mensagem |
neturezende
Veterano |
# set/11
preciso saber os efeitos usados em smoke on the water, e no solo tbm... desde já agradeço.
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Les Strato
Veterano |
# set/11
· votar
bom, se eu nao me engano, é so a distorçao do amplificador.
eu pelo menos toco toda ela so com o drive, e fica um som bem fiel ao original.
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rhoadsvsvai
Veterano |
# set/11
· votar
Les Strato
o riff se toca com os dedos puxando as cordas , captador do braço , em um vox (provavelmente o ac30) crunchado . um tiquinho de reverb(não tenho certeza)
a mais o blackmoore usava marshall
só ao vivo , na verdade ele odiava a marca e gravava tudo com vox
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rhoadsvsvai
Veterano |
# set/11
· votar
o solo , é um pouco mais alto , parece que ele da um boost . e me parece que tem um pouco de delay (tb n tenho certeza)
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ROo
Veterano |
# set/11
· votar
É o que o rhoadsvsvai falou e sem Power Chords, pela mor. Não em lembro o que tem no solo, mas o Blackmore costumava usar um Echo e alguns pedais, poucos e que sempre mudavam, mas usou.
Mas com um bom overdrive, bem equalizado, não tem muito mistério pra ficar parecido.
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Konrad
Veterano |
# set/11
· votar
335, overdrive, pouco de reverb e genialidade.
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ROo
Veterano |
# set/11
· votar
During the 1960s, Blackmore played a Gibson ES-335 but switched to a Fender Stratocaster after buying a second hand Stratocaster which included a Telecaster neck from Eric Clapton's roadie. However, the guitar was deemed unplayable by Blackmore because the intonation was too off to be fixed. Since then and right up until his Blackmore's Night project Blackmore has used Stratocasters almost exclusively. The middle pickup is screwed down and not used, with only the bass and treble pickup selector set. Blackmore has also occasionally used a Fender Telecaster Thinline during recording sessions.
His amplifers were originally 200W Marshall Major stacks which were modified by Marshall with an additional output stage (generated approximately 278W) to make them sound more like Blackmore's favourite Vox AC-30 amp, cranked to full volume. Since 1994, he has used Engl valve amps. One of the reasons he cited was that the Marshall heads did not sound as good as the Engls at low volume.
Blackmore frequently used effects during his time with Deep Purple and Rainbow, (despite claims to the opposite). He used a Hornby Skewes Treble Booster in the early days. Around the time of the Burn sessions, he experimented with an EMS Synthi Hi Fli guitar synthesizer. He would sometimes use a wah-wah pedal and a variable control treble-booster for sustain. Moog Taurus bass pedals were used during solo parts of concerts. He also had a modified Aiwa TP-1011 tape machine built to supply echo and delay effects. The tape deck was also used as a pre-amp. Other effects that Blackmore used were a Schulte Compact Phasing A, a Unicord Univibe, a Dallas Arbiter Fuzz Face and an Octave Divider.
In the mid-1980s he also experimented with Roland guitar synths. A Roland GR-700 was seen on stage as late as 1995-96, later replaced with the GR-50. Guitar synths are also used quite a bit in Blackmore's Night. As an example, Blackmore plays with a slide over what is probably an organ patch in the beginning of "Way to Mandalay".
[...]In the early Rainbow era, they were still stock Fenders, later Dawk installed overwound, dipped, Fender pickups. He has also used Schecter F-500-Ts, Velvet Hammer "Red Rhodes", DiMarzio "HS-2", OBL "Black Label", Bill Lawrence L-450, XL-250 (bridge), L-250 (neck). He used Seymour Duncan Quarter Pound Flat SSL-4 for several years and since the late 80s he has used Lace Sensor (Gold) "noiseless" pickups.
fonte: Wikipedia
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the guitar crazy
Veterano |
# set/11
· votar
eu acho que ele usava ou um blues drive ou um fuzz e reverb pq porque ele tocava no estudio em uma sala fechada ou entao ao vivo e dava um pouco de eco
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