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      Efeitos guitar rig x Real

        Autor Mensagem
        jaderzao
        Veterano        		 # ago/06


        Eu gostaria de saber qual é o amp do guitar rig equivalente à realidade.

        Instant Gratifier
        Twang Reverb
        Plexi
        AC Box
        TweedMan (BassMan da Fender - eu acho)
        Jazz Amp
        Lead 800
        Bass VT

        Dos efeitos, eu encontrei alguns:
        Trans Amp
        Mezone
        AutoFilter
        Stomp Compressor
        Pro Filter
        Gain Booster
        Noise Reduction
        Cry Wah
        Skreamer
        Distortion
        Fuzz Ace: fuzz pedal based on Arbiter™ Fuzz Face™
        Big Fuzz: fuzz pedal based on Electro Harmonix™ Big Muff™
        Cat: distortion pedal based on ProCo™ Rat™
        Demon Distortion: distortion pedal based on MXR™ Dime Distortion™
        Trans Amp
        Mezone

        Se ajudar, neste link você pode ver a imagem de cada um deles:
        http://www.native-instruments.com/uploads/pics/allcomp.jpg

        Van_Lorien
        Veterano        		 # ago/06
        · votar

        jaderzao
        Vc quer saber qual é cada ampli que o Guitar Rig simula?

        Gasoline
        Veterano        		 # ago/06
        · votar

        Instant Gratifier - Mesa Boogie Dual Rectifier
        Twang Reverb - Fender Twin Reverb
        Plexi - Marshall Plexi (Super Lead)
        AC Box - VOX AC30
        TweedMan (BassMan da Fender - eu acho) - Fender Bassman Tweed
        Jazz Amp - Roland Jazz Chorus (JC-120)
        Lead 800 - Marshall JCM800
        Bass VT - Ampeg VT Series ? (Não tenho certeza)

        Dos efeitos, eu encontrei alguns:
        Trans Amp - Sansamp Gt2
        Mezone - Boss Metal Zone (MT-2)
        AutoFilter
        Stomp Compressor
        Pro Filter
        Gain Booster
        Noise Reduction
        Cry Wah - Dunlop CryBaby
        Skreamer - Ibanez TubeScreamer (tenho quase certeza que o TS-808)
        Distortion - Boss DS-1
        Fuzz Ace: fuzz pedal based on Arbiter™ Fuzz Face™
        Big Fuzz: fuzz pedal based on Electro Harmonix™ Big Muff™
        Cat: distortion pedal based on ProCo™ Rat™
        Demon Distortion: distortion pedal based on MXR™ Dime Distortion™
        Stoned Phaser - Electro Harmonix Small Stone
        Pitch Pedal - Digitech Whammy IV (4)
        Treble Booster - Vox Brian May Treble Booster (Signature)


        Que eu lembre agora, é isso.

        jaderzao
        Veterano        		 # ago/06
        · votar

        Valeu!!!!

        MauricioBahia
        Moderador        		 # out/08 · Editado por: MauricioBahia
        · votar

        Revivendo para complementar!!!

        Fonte: http://everything.explained.at/Guitar_Rig/

        Guitar Rig name -->> Real name

        • Microphones
        o Dynamic 57 --> Shure SM57
        o Dynamic 421 --> Sennheiser MD 421
        o Dynamic 421II --> Sennheiser MD 421 II
        o Dynamic 809 --> Sennheiser e809
        o Dynamic 606 --> Sennheiser e606
        o Condenser 87 --> Neumann U 87
        o Tube Condens. --> Neumann CMV 3

        • Distortions
        o Distortion --> Boss Distortion DS-1
        o Mezone --> Boss Metal Zone MT-2
        o Cat --> Pro Co Rat
        o Screamer / Skreamer --> Ibanez TS808 Tubescreamer
        o Big Fuzz --> Electro-->Harmonix Big Muff Pi
        o Fuzz Ace / Fuzz --> Dunlop Dallas Arbiter Fuzz Face
        o TransAmp --> Tech21 SansAmp Classic
        o Demon Distortion / Demon --> MXR Dime Distortion DD11
        o Sledge Hammer --> Marshall Jackhammer JH-1

        • Amplifiers
        o Tweedman --> Fender Bassman
        o AC Box --> Vox AC30
        o Plexi / Plex --> Marshall 1959 SLP
        o Jazz Amp --> Roland Jazz Chorus-120
        o Lead 800 --> Marshall JCM800 Lead
        o Bass VT / Bass Pro --> Ampeg VT-40
        o Ultrasonic --> Bogner Überschall
        o Citrus --> Vintage Orange/Matamp Overdrive OD120
        o High White --> Hiwatt DR-103
        o Tweed Delight --> Fender Tweed Deluxe
        o Twang / Twang Reverb --> Fender Twin Reverb
        o Gratifier --> Mesa/Boogie Dual Rectifier

        • Modulation Effects
        o Chorus+Flange --> T.C. Electronics Stereo Chorus +
        o Ensemble --> Boss CE-1 Chorus Ensemble
        o Electric Lady --> Electro-Harmonix Electric Mistress
        o Phaser Nine --> MXR Phase 90
        o Stoned Phaser --> Electro-Harmonix Small Stone
        o Ring Modulator --> Mooger Fooger MF-102
        o Oktaver --> Boss OC-2 Octave
        o Pitch Pedal --> Digitech WH-4 Whammy
        o Harmonic Synthesizer --> Electro-Harmonix Micro Synthesizer

        • Reverb Effects
        o Tape Echo --> Roland RE-201 Space Echo
        o Delay Man --> Electro-Harmonix Memory Man

        • EQ Effects
        o Cry Wah --> Dunlop Cry Baby
        o Real Wah --> Real McCoy Custom RMC-1
        o Talk Wah

        • Virtual speaker cabinets from the same manufacturers as for the amps are also available. Cabs are miked by the virtual microphones above set in various positions controllable by the user.
        o Hartke (bass cabinet)
        o Leslie (rotator speaker)

        • In addition to virtual simulations of 'real world' amps, mics and effects, GuitarRig has a few unique effects of its own:
        o PsycheDelay offers HiQ delay, pitch shift and reverse effects
        o The Looper allows for loops as long as your disk can store (i.e. hours).
        o Draw-your-own EQ curves.

        • Some components are brought in from the synth/sampler world, and are called Modifiers in GuitarRig. Modifiers do not affect the sound directly, but sends out controller signals to any effect or amp control you may have in your GuitarRig setup. Modifiers include:
        o LFO (Low Frequency Oscillator; aka vibrato/tremolo)
        o ADSR (Attack, Decay, Sustain and Release; a curve describing the dynamics of a sound)
        o Input volume.
        o Rhythmic Sequencer (for creating loops of rhythmic patterns)
        o Value Sequencer (known as arpeggiator on many synths)
        Where applicable, tempo-based effects can be synched to either an internal common clock, or to external MIDI (when running in a DAW environment).

        • The audio signal chain can be split for parallel treatments, and re-assembled in a mixer.
        o It also possible to split by frequency, allowing for different treatments of lower and higher spectrums.

        • With virtual 'Tape Decks' it is possible to play audio tracks behind your own playing, and also record the performance internally.

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